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How smooth can jazz guitar get ? Right here is the answer. Midnight Blue (released in 1963 by blue note records and recorded by Rudy Van Gelder) is one of those records that you just put on, sit back and relaxis. He has played Gibson guitars (ES-175, super 400) for the majority of is career plugged into a Fender deluxe amp. He has collaborated with many artists as sideman (Dizzy Gillespie, "Jimmy Hammond" Smith, Billy Holiday, Milt Jackson, Stanley Turrentine, Stan Getz, Chet Baker, The Jones Brothers.) and recorded many solo albums including the famous "Midnight blue" (Blue note, 1963). His guitar sound is clear, refined and raw, easy to recognize. His guitar playing is unique, grounded in bebop and blues, the man is able to play both blues licks and swinging bebop lines. With Wes Montgomery and Charlie Christian he is one of the most influential jazz guitarist, epitome of good taste and unique swing. Kenneth Earl "Kenny" Burrell (July 31, 1931) is an American jazz guitarist from Detroit. II7-V7-IM sequence which is a major II-V-I with a dominant seventh (II7) chord instead of a minor seventh chord (II).II7-V7-Im sequence (D7-G7-Cm) which is a minor II-V-I with a dominant 7th (V7) chord instead of the usual minor seventh flat ninth chord (II).This will allow you to understand how to improvise and which scale to play over two interesting jazz progressions : ![]() The transcription is focused on the A part only. Referring to the realbook the chord progression is : This is an AABA traditional jazz form in the key of C minor. He has been popularised by Clifford Brown and Max Roach quintet in the album that includes the two standards "Joy spring" and "Daahoud". Jordu is a jazz standard written by Irvin "Duke" Jordan. He has collaborated with jazz players as Art Blakey and Lionel Hampton before forming his own group with the drummer, percussionist and composer Max Roach. He composed two jazz pieces which have become standards, "Joy spring" and "Daahoud". ![]() This lesson is about a Clifford Brown trumpet solo transcription in "Jordu". Clifford Brown was an American songwriter and jazz trumpet player. This way you will change your habits and you will play some jazz lines that maybe you would never have played before. It's very important to transcribe lines of other instruments like sax, trumpet or piano for example. ![]() ![]() Learning these jazz transcriptions make it possible to understand the approach of the great names of jazz to different chord progressions found in many standards as turnarounds, minor and major II-V-I, blues progressions, modal playing.īe jazz guitarist does not mean that you have to play only guitarist's solos. These essential jazz lines arranged for jazz guitarists from beginner to advanced come with easy-to-understand explanations of one of the greatest players improvisational techniques. These patterns both for guitar teachers and students cover different styles from swing to blues, to hard-bop to bebop. This eBook available for download in a PDF format contains 49 effective jazz guitar phrases and patterns with TABS and notation applied to common jazz chord progressions. Particularly when these licks are transcribed from improvisations of the greatest jazz musicians of all times (Cannonball Adderley, Barney Kessel, Sonny Rollins, Charlie Christian, Emily Remler, George Benson, Grant Green, Herb Ellis, Jim Hall, Jimmy Raney, Joe Pass, John Scofield, Kenny Burrell, Charlie Parker, Mike Stern and Wes Montgomery) who helped forge the history of jazz music. Practicing jazz guitar licks is a very important aspect of jazz learning. 49 Essential Jazz Guitar Licks With Tabs and Analysis
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